Capitoline Museums

Capitoline Gaul is one of the most well-known works from antiquity, which was created in the first or second century AD. The Capitoline Gaul, also called The Dying Gaul is a universally acclaimed classic that is a profoundly touching celebration of the human soul. The sculpture, which has been engraved and drawn numerous times, is arguably the most well-known piece in the entire collection. The artist's desire to show the warrior in his final act of pain resistance is indicated by the extremely obvious wound.

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The somewhat larger-than-life statue shows the goddess just before having a bath. It can be linked to this time period since it is a late Hellenistic (2nd or 1st century BC) remake of the well-known and adored statue of Aphrodite created by Praxiteles about 360 BC. She is presented with her arms hiding her breasts and pubic region while tracing the curved lines of her soft, squishy, small-boned figure. The left leg is at rest while the right one is extended and bent. The head leans slightly to the left. The hairstyle is complex. The tiny, sluggish eyes and the small, plump lips psychologically suggest that the face lacks emotion.

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The most significant ancient works connected to the myth of the Lupercal can now be seen collectively for the first time, as can the majority of contemporary works that depict or draw inspiration from the Capitoline she-wolf. The Capitoline Wolf stands in for the fabled origins of Rome. Romulus and Remus are depicted as twins breastfed by a she-wolf in a bronze sculpture. With alert ears and flashing eyes, the wolf is shown in a guarded position.

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The artwork, though not complete at the time, had significant symbolic importance and had been present in the Capitol since the Middle Ages, close to the Palazzo Senatorio's entry stairway. Its obvious antiquity and, more importantly, the powerful statement of strength flowing from the lion's massive shape served as a superb symbol for effective city governance. The sculpture continued to serve this symbolic purpose until 1471, when a bronze she-wolf replaced the lion as the city's emblem. This was done because of the bronze's unbreakable connection to Rome's fabled past.

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The Mozartiana event was created to honor the great Austrian Master on the occasion of the extraordinary opening by revisiting the most important musical phases of his life through performances. Some of his solo concerts and arias from his most well-known works include Marriage of Figaro, Don Giovanni, Flauto Magico, and Cosi fan tutti. The young musicians of the Roma Tre Orchestra perform throughout the evening with a formation of about 30 players under the direction of maestro Tonino Battista. They support the artists' performances of their solo concerts in the exquisite setting of the Exedra of Marco Aurelio.

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The priestess in charge of the Apollonian oracle at Cumae, a Greek settlement close to Naples, Italy, was known as the Cumaean Sibyl. Of the ten (12) sibyls, the Cumaean Sibyl was undoubtedly the best known. Her cave was situated next to a shrine to Apollo not far from the town of Cumae on the west coast of Italy. The birth of Christ was predicted by the Sibille (pagans), in accordance with biblical evidence, the Greek text of the cartiglio, which was sent to the Jewish and Christian monotheism. As Domenichino did in Rome in 1622, the loro raffigurazione in the Seicento paintings provided the opportunity to concentrate on figure femminili, merging classical posture and dreadful desire.

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